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Sunday, November 2, 2008
Saturday, November 1, 2008
Another 250 words
My reinterpretation of Jorn Utzon's SIlkeborg Museum design was transformed greatly. However the exceptionally basic shape and geometry of his work is kept in my redesign.
Colours are important in my reinterpretation. The colours are plain but contrasting, this enhances the Museum's exterior and interior. Creating a focused and interesting space for the Silkeborg Museum, whether it stores traditional artifacts or contemporary masterpieces.
My style consists of many repetitive shape similarly to Utzon's. The difference is that I chose to use irregular lengths of rectangular prisms rather than keeping them horizontal. The shadows of these blocks strikes a stunning view of the Silkeborg.
My concept was initiated by Utzon’s use of geometry, hence the during the processing stage, lines and squares were involved and also natural curves. The curves provide a balance for the strict lined shapes , also symbolising traditional and modern ideas and provide a sense of smoothness to the innovative environmentally-friendly plastic made from potato starch.
Colours are important in my reinterpretation. The colours are plain but contrasting, this enhances the Museum's exterior and interior. Creating a focused and interesting space for the Silkeborg Museum, whether it stores traditional artifacts or contemporary masterpieces.
My style consists of many repetitive shape similarly to Utzon's. The difference is that I chose to use irregular lengths of rectangular prisms rather than keeping them horizontal. The shadows of these blocks strikes a stunning view of the Silkeborg.
My concept was initiated by Utzon’s use of geometry, hence the during the processing stage, lines and squares were involved and also natural curves. The curves provide a balance for the strict lined shapes , also symbolising traditional and modern ideas and provide a sense of smoothness to the innovative environmentally-friendly plastic made from potato starch.
Friday, October 31, 2008
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